THE BLIND M A N 
I 2 
IX LIGHTED SLEEPNESS. 
BLIND 
WAKING WAKING 
DISTANT CENTER CENTER 
UP 
SLOW TAKING ISLAND-OCEAN SLOW 
WATER YESTER CONTACT’S SEAS SHIFTING 
TRIANGLE JOYS POINS 
INCISOR VISTA YELLOW 
FOUNTAIN 
WIDE IN ALL 
'W V o^ 6 ‘ 
\o' 
,c« 
FORTH OVER BACK UPSURGING FACTS HEAVY LIGHTNESS BACK OVER 
IXSURGING RHYTHM SHOUT EARTH SHOUT ALIVES 
ALL HIGH LAY LIE RELAY IN 
EVEN OPEN PENE SEPARATE REMARK ENLEVEL LEVEL ALWAYS 
TON SILENT TONS OVER DOUBLE TONNAGE DOUBLE THRU THRU TON AND TON 
AND TON SHIFT 
ALL ALL IN IN THIS BODY BALANCE AND RESURGE 
LEVEL LEVEL COOL BIG SAD: IN RUST GOLD DARK DUST HAIR: 
DISTANCE 
SPREAD NOW NOW, NEW FOREST FRAGRANT FOREST HAIR RESURGING REFORTH 
PENET UP 
FAR. THRU EYES, AREA 
FLOW WATER FEEL DEEP DEEP... ...IN IN FAR FAR FARTHEST 
MOUNTAIN MOUNT KATAHDYN FLUX KATA HD YN MOUNTAIN FLU] FLOWER 
IN IN, THRU EYES, SLEEY SLUMBER HEAVE 
Third Dimension; 
Portrait Sketch 
Charles Duncan 
“Free Verse, why I wrote free verse twenty 
years ago”—? 
Yet while Eilsheniius exonerates himself from 
ever having studied the works of any period 
whatsoever, there is a something Elizabethian 
about him. 
I will end this rummage of a gold-mine with 
Eilsheniius when he is most himself—in the 
the poems “A Country Child” and “Maggie the 
Geyser Guide.” 
“It dwelled, where I would not to live; 
In a hut, with cracks and holes. 
But there it played with wicker and mud; 
And it tried to lift long poles.” 
“Have you no fear of all those boiling waters?” 
“Nay, 1 was ‘hatched’ right on this steaming 
earth. 
The other place cannot be worse!” she ventured, 
And in our eyes a twinkle suddenly had birth. 
Thus questioning, she grew more sweet to me, 
for in her voice 
Lay mellow dreaminess, that made my heart 
rejoice. 
Anyhow, Duchamp meditating the levelling of 
all values, witnesses the elimination of Sophis 
tication. MINA LOY.