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Arp, On my way

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Bibliographic data

fullscreen: Arp, On my way

Monograph

Title:
Arp, On my way
Sub title:
poetry and essays 1912-1947
Extent:
147 S.
Collection:
Books
Document type:
Monograph
Shelfmark:
DADA I:32
Persistent identifier:
19503
Statement of responsibility:
Robert Motherwell
Place of publication:
New York
Publisher:
Wittenborn, Schultz Inc.
Year of publication:
1948
Edition:
[Electronic ed.]
Dimensions:
25,5 x 19 cm
Language:
English
French
German
Personal subject:
Arp, Hans;Motherwell, Robert;Rand, Paul
Statement of responsibility:
Robert Motherwell

Chapter

Title:
Essays
Collection:
Books
Document type:
Monograph
Structure type:
Chapter

Chapter

Title:
Art is a fruit
Collection:
Books
Document type:
Monograph
Structure type:
Chapter

Contents

Table of contents

  • Arp, On my way
  • Book cover
  • Endsheet
  • Figure
  • Title page
  • Imprint
  • Contents
  • Prefatory note
  • Homepage
  • Poems
  • Kaspar is dead - Kaspar ist tot
  • Roses walk on porcelain streets - Rosen schreiten auf Strassen aus Porzellan
  • In the hump of glass a sweet voice sings - In dem Höcker aus Glas singt eine süsse Stimme
  • Monte Carlo - Monte Carlo
  • The seasons of the clock the strawberry the velvety animals and the cradle - Les saisons de l'horloge de la fraises des animaux veloutés et du berceau
  • Black veins - Veines noires
  • Red violets - Violettes rouges
  • Sophie - Sophie
  • Essays
  • The measures of all things
  • Beauty has not vanished beneath the ruins of the centuries
  • Deception, appearance, artifice
  • Reality
  • Above and below
  • A part of reality
  • Holy silence
  • Dreamers
  • Introduction to Max Ernst's natural history
  • Dadaland
  • I became more and more removed from aesthetics
  • The navel bottle
  • Talk
  • Son of light
  • Man loves what is vain and dead
  • Art is a fruit
  • A few lines of Plotinus
  • Some old friends
  • A magic treasure
  • See reproduction
  • The magician
  • Figure
  • Pavillon de Bréteuil
  • Stone formed by human hand
  • The germ of a new plastic work
  • Concrete art
  • Concrete art
  • The world of memory and dream
  • And so the circle closed
  • Original text of essays
  • Das Mass aller Dinge
  • Die Schönheit versank nicht unter den Trümmern der Jahrhunderte
  • Trug, Schein, Kunststück
  • Wirklichkeit
  • Oben und unten
  • Ein Teil der Wirklichkeit
  • Die heilige Stille
  • Träumer
  • Introduction à l'histoire naturelle de Max Ernst
  • Dadaland
  • De plus en plus je m'éloignais de l'esthétique
  • Die Nabelflasche
  • Bavarder
  • Fils de la lumière
  • L'homme aime ce qui est vain et mort
  • L'art est un fruit
  • Quelques lignes de Plotin
  • Alte Freunde
  • Ein magischer Schatz
  • Siehe Abbildung
  • Der Magier
  • Pavillon de Bréteuil
  • Stein von Menschenhand geformt
  • Der Keim einer neuen Plastik
  • Art concret
  • Konkrete Kunst
  • Die Welt der Erinnerung und des Traumes
  • So schloss sich der Kreis
  • Arp
  • Figure
  • Biographical note
  • Bibliography
  • Imprint
  • Endsheet
  • Book cover

Full text

5 1 
something else. Only in our own epoch have painting and sculpture been liber 
ated from the aspect of a mandolin, a president in a Prince Albert, a battle, a 
landscape. I love nature, but not its substitutes. Naturalist, illusionist art is a 
substitute for nature. 
I remember a discussion with Mondrian in which he distinguished between 
art and nature, saying that art is artificial and nature natural. I do not share 
his opinion. I believe that nature is not in opposition to art. Art is of natural 
origin and is sublimated and spiritualized through the sublimation of man. 
[illustrations 9, 10, 14] 
A few lines of Plotinus 
For those among men whose souls have gone beyond that of centipedes, spi 
ders, snails, flies, leeches, bankers, politicians, and who wish to approach 
beauty and light, I quote these few lines of Plotinus: “It is first of all necessary 
to make the organ of vision analogous and similar to the object to be con 
templated. Never would the eye have perceived the sun if it had not first taken 
the form of the sun; likewise, the soul cannot see beauty unless it first becomes 
beautiful itself, and every man must make himself beautiful and divine in 
order to attain the sight of beauty and divinity.” 
Some old friends 
Some old friends from the days of the Dada campaign, who always fought for 
dreams and freedom, are now disgustingly preoccupied with class aims and 
busy making over the Hegelian dialectic into a hurdygurdy tune. Conscien 
tiously they mix poetry and the Five Year Plan in one pot; but this attempt to 
lie down while standing up will not succeed. Man will not allow himself to 
be turned into a scrubbed, hygienic numeral, which, in its enthusiasm over 
a certain portrait, shouts yes like a hypnotized donkey. Man will not permit 
himself to be standardized. It is hard to explain how the greatest individual 
ists can come out for a termite state. I cannot imagine my old friends in a col 
lective Russian ballet. 
A magic treasure 
Only spirit, dream, art lead to a true collectivity. They are the games that 
lead man into real life. Hugo Ball’s dream resurrects man to reality from his
	        

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