Thomas Hirschhorn: 5 Bar clips, 1996 
VT 97/1 
- 2 Tränen - etc., 1996 
VT 97/2 
Joan Jonas: Vertical roll, 1988 
VT 97/22 
Mitchell Kriegman: My neighborhood, 1988 
VT 97/34 
Marcus Krips: Steinzeitcomputa, 1992 
VT 97/6 
[Marcus Krips / Lili Voigt:] Konferenz KritzKratz : 
+ spezial: AutoEater, 1993 
VT 9778 
Raoul Marek: La salle du monde : la salle du monde, 
afrique, amerique, asie, europe, oceanie, pacifique, 
a salle 4 manger, europe, chäteau d’oiron (collection 
Y’art contemporain), france, 1994 
VT 97/56:[1] 
Albert Maysles: Islands, 1986 
VT 97/11 
Martina Mieth: Weiss : Hanny Heggeler & Isabella von 
Seckendorff, 1997 
YT 97/52 
"an Murray: Come on touch it : (study no. 4 for a 
personality inventory channel), 1986 
VT 97/29 
Marcel Odenbach: Dans la vision peripherique du 
:emoin = in the peripheral vision of the witness, 1990 
VT 97/25 
Dennis Oppenheim: Tape 1: Material interchange, 1970 — 
Identity transfer, 1970 - Rocked hand, 1970 - Compres- 
sion: fern (hand), 1970 — Pressure piece 1, 1970 - Glassed 
hand, 1970 - Compression: poison oak, 1970 - Com- 
oression: fern (face), 1970 - Leafed hand, 1970, [1997] 
VT 97/53:1 
- Tape 2: Extended armour, 1970 - Gingerbread man, 
1970 — Nail sharpening, 1970 - Toward becoming a 
devil, 1970 - Rocked stomach, 1970 - Fusion: tooth and 
nail, 1970, [1997] 
YT 97/53:2 
- Tape 3: Brush, 1973 - T’m failing, 1972-73 — 
My father’s socks, 1972 - Mittens, 1974 - Disappear, 
1972, [1997] 
ZT 97/53:3 
- Tape 4: Vibration 1, 1971 - Vibration 2, 1972 — 2 stage 
-;ransfer drawing (advancing to a future state), 1971 — 
2 stage transfer drawing (returning to a past state), 1971, 
1997] 
/T 97/53 :4 
- Tape 5: Air pressure (hand), 1971 - Lead sink for 
Sebastian, 1970 — Nail sharpening, 1970 - Gingerbread 
man, 1970-71 - Fusion: tooth and nail, 1970, [1997] 
VT 97/53:5 
- Tape 6: Forming sound, 1971 — 2 stage transfer 
drawing (advancing to a future state), 1971 — 2 stage 
transfer drawing (returning to a past state), 1971 —- 
A feedback situation, 1971 — 3 stage transfer drawing, 
1972 - Two stage transfer drawing (returning to a 
past state), 1971 - Objectified counter forces, 1971 — 
Shadow project, 1971, [1997] 
ZT 97/53 :6 
- Tape 7: Feedback, 1971 - Extended expressions, 1971 — 
Ground gel, 1972 —- Air pressure (hand), 1971 - 
Landslide, 1968 — Vertical penetration, 1970 — 
Arm scratch, 1970 — Identity transfer, 1970, [1997] 
VYT 97/53:7 
- Tape 8: Go between, 1972 - Stewing around, 1972 - 
Whipping into shape, 1972 - Landslide 2, 1968 - 
1972 —- Parallel arcs, 1970 - Broad jump, 1969 — 
Slow punch, 1970 —- Rocks in navel, 1970, [1997] 
VT 97/53:8 
Rober Racine: Y’aurais dit Glenn Gould, 1988 
IT 97/26