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with the ladies of the Metropolitan Opera House, who, gather
ing their cloaks about them very closely and with hauteur seek
their conveyance with dignity and speed befitting position (dis
tinguished). My heart directed, but oh my mind poor Alice
was so inefficient a bus-girl. I quickly hastened to the ermine
counter, asking for those articles a modern girl needs. (Of
course this isn’t true, I haven’t any money.) Never the less
Alice soon gathered her cloak very closely and with hauteur,
hastening to a cab, unobserving, sister to scions of wealth in being
incapable of manual or mental function.
I don’t mean this as typical since totally unlike is that little
girl, now sixteen, destined for stardom. Altho of a family no
one of whom were theatrical, she was blessed by a mother of
intelligence who provided for training vocal and dancing, thus
shielding her from the real evils of the show business which
result from lack of equipment rendering the girls susceptible to
dangers and damages of managers and dancing instructors too
obsexed to be human. Knowing one thousand routines—tap,
toe, classical, acrobatic—quick, hastening, eager, her flying feet
had Gracie Georgia skyward tilt on stardom while others wait
below, unrecognized.
i.e. “Stevie”, said Joseph Conrad shyly, “I like your Gen
eral”; even tho that author had acquired at that date legends of
notoriety and a glow of one destined, it can now appear, to die
young, natheless his energy remains. Tho not by necessity his
tory, his life in excellent hands assumes the value of a “novel”
of exceptional entertainment value. Stephen indubitably a
dynamo peculiarly stationed in a milieu of awkward, unconti
nental, romantic character; anxiously he sought explosions, and
without affectation did what he needed to do. However one can
gratifyingly hope that in time advertising will require the ser
vices of our bright, efficient young men now engaged in social
work for the continent here in the United States. There will
be of course signed work for the best establishments, which can
encourage a “style” employing a fine note of scorn which will
recognize insufficiencies in a “culture” only appreciative, and
prepare to exploit those constants of “energy expenditure” inde
pendent of stabilized cultural significance. Alternatively these
best brightest may personally display talents if the stage expands
or movies demand. Let us pray. Nothing will be changed.
May, 1926.
JOHN RIORDAN